- I have to like it,
- I have to pay for it,
- I do my best to use E-Prime when talking about the thing itself
I write “unreviews” to highlight the subjective nature of reviews in general, and as you’ll see, talking about this film exposes the fact that I cannot be “objective” about it. I loved Freddie Mercury and Queen remains one of the bands who continue to play my emotional heartstrings. I cannot listen to music passively. When other writers like Stephen King say he listens to music while he writes, I just don’t understand that. When you’re listening to Queen, how can you do anything but stop anything else you’re doing and pay attention? I can’t. I start to sing, I play air instruments, or, if it’s available, I get behind my drum kit. Case in point…
Back in 1985, I was a Junior in high school living in Georgia. Live Aid was going to be the biggest concert of all time. Friends of mine and I had MTV on in the background while we played D&D. I was distracted by the music, but it didn’t matter much. Most people don’t remember that before Queen arrived, the show was dull as dirt. The bands who showed up didn’t seem to want to be there. They ran through their 20 minute sets and walked off. “St. Bob” Geldof was worried. His show was going down the toilet.
Then Queen showed up. They weren’t supposed to be there. But they took the stage and, as St. Bob said it, they saved the day. The D&D game stopped dead cold and we watched as Queen showed the other bands how to capture the hearts of a billion people.
I cannot be objective about Queen or Freddie Mercury. That’s probably why I cried all the way through this film.
The plot structure resembles every other band bio pic you’ve ever seen, but Rami Malek uses the same voodoo Karl Urban used to capture the spirt of DeForest Kelly to bring Freddie Mercury to the screen. (I should also say Gwilym Lee does a similar voodoo spell when playing Brian May, the often overlooked musical heart of the band. I honestly thought to myself, “Astrophysicist Brian May of 2018 must have invented a time machine, went back to 1970 and pulled his younger self from the past.) I found myself nodding with the scenes pulled from stories I already knew but my chest heaved every time Malek’s Freddie had to be Farrokh Bulsara: an awkward, sexually confused and lonely geek with big teeth who knew he didn’t belong in the cool kid’s club.
I’ve probably ignored or overlooked a lot of the film’s flaws and I simply don’t care. Moments from the movie broke my heart, and while I wish there cold have have been more of them, I honestly do not care. For example, after watching the scene when Freddie and his beloved Mary watch footage from the first Queen in Rio concert, I will never hear Love of my Life without shamelessly weeping.
Queen made bombastic, hyper dramatic and even hyperbolic music. They threw everything they could at the audience: sound, image and even mythology. That was the whole point of Queen. When Brian May says, “I want to write a song the audience can play along with us,” he meant it. You can say a lot of things about Queen, but one thing you cannot say is they were cynical or insincere. They believed in what they were doing.
This film made me cry and more than once. I was a blubbering mess when my two favorite Queen songs ran over the credits. The first, “Don’t Stop Me Now” is Freddie in full persona: a Dionysian god. The second, “The Show Must Go On,” was written and performed when he knew he was dying. I was wrecked.
While the rest of Bohemian Rhapsody came across to me as a very high priced Behind the Music episode, I simply don’t care. The moments I wanted are there, including a breath-taking full recreation of those 20 minutes that Queen held the attention of the world. And Rami Malek deserves some sort of award for being able to invoke both Freddie Mercury and Farrokh Bulsara.
I cannot be objective about this film. But then again, that’s the whole point isn’t it? We can’t be objective about art. Saying otherwise avoids the whole point of art in the first place: to elicit an emotional response from the audience, to force us to put away our analytical mind and enjoy. Try thinking analytically about any Queen song. Go on. You can analyze the mechanics of it, the musicianship of it, the arrangements, the sound production, but when it comes to Queen, what really matters is how you feel.
BOOM, BOOM, CLAP
BOOM, BOOM, CLAP
BOOM, BOOM, CLAP